- #PRO TOOLS RECORDING SOFTWARE FULL#
- #PRO TOOLS RECORDING SOFTWARE PRO#
- #PRO TOOLS RECORDING SOFTWARE SOFTWARE#
- #PRO TOOLS RECORDING SOFTWARE PROFESSIONAL#
The danger is getting lost in all of the details and becoming overwhelmed.
#PRO TOOLS RECORDING SOFTWARE PRO#
Pro Tools is designed to be extremely versatile, which means that there are tons of tools and editors and plug-ins that you may never use. It takes time to learn the nuances of the system, even years. Since Pro Tools is designed for professionals, it's not as user friendly as a home-recording tool like Garage Band. Some musicians chafe against this very closed, proprietary system and opt for other more open platforms. And you can't shop around for a better deal on audio interfaces, because you're stuck with the few that work with Pro Tools. What does that mean for musicians? For one, you can't use Pro Tools with just any audio interfaces or sound cards that you already own. So if you want to learn the industry standard, you're going to have to fork over the cash and invest in the whole system.
The interface functions as a physical anti-piracy key, sometimes called a dongle. It won't even work without a Pro Tools-approved audio interface.
#PRO TOOLS RECORDING SOFTWARE SOFTWARE#
You can't buy Pro Tools software on its own. The disadvantage of Pro Tools being the industry standard is that it's expensive and proprietary. What are the advantages and disadvantages of Pro Tools? Read on to find out.
#PRO TOOLS RECORDING SOFTWARE FULL#
Digidesign sells control surfaces with as few as eight faders or $10,000 models with full control over 24 channels. It's possible to do everything in Pro Tools with a mouse and keyboard, but control surfaces put everything at your fingertips. A lot of engineers grew up on analog control boards and like the feel and accessibility of all of the knobs, buttons and faders. Control surfaces are hands-on tools for accessing all of the functionality of the Pro Tools software. A control surface looks a lot like those large control boards in a traditional analog recording studio. The final component of a Pro Tools system is something called a control surface.
#PRO TOOLS RECORDING SOFTWARE PROFESSIONAL#
Professional recording studios typically invest in one or more external hardware expansion units that come loaded with six accelerator cards. You can buy systems with one, two or three accelerator cards that will speed up the Pro Tools software when applying effects to dozens of tracks simultaneously. The higher-end Pro Tools HD systems come with internal PCI cards to boost your computer's processing power. The smallest Pro Tools audio interface is slightly bigger than a flash memory stick and includes only one analog output jack, while the largest units are rack-mounted boxes that have eight analog inputs/outputs, four microphone preamps, studio monitor outputs and MIDI connectors. On the front of the interface are simple controls for adjusting the input and output levels of anything connected to the box. In the back of the audio interface is where you plug in all of your microphones, electric guitars, MIDI controllers, et cetera.
It's mainly responsible for converting analog audio signals to the digital signals that your computer can understand.
An audio interface is like an external sound card. In Pro Tools, digital audio conversion and effects processing is handled by several different pieces of hardware. The most advanced Pro Tools HD systems can handle up to 192 simultaneous audio tracks.
That's the equivalent of recording an 18-piece band where every instrument has its own microphone recording to its own track on the Pro Tools software. For example, the most basic system allows you to record up to 18 simultaneous audio tracks. The power and expandability of the Pro Tools software depends on the processing power of the entire system.
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